Tuesday, 26 November 2013

Rogue Legacy Review

Rogue Legacy Review.

Earlier this year, a game called Rogue Legacy by developer Cellar Door Games (who you may or may not know as the developers of the game Don’t Shit Your Pants. No, really.), was generating a fair amount of buzz among the gaming community. What Cellar Door was offering was a 2D side-scrolling rogue-like with randomized castle layouts, challenging gameplay and a purely old school feel to it. Unsurprisingly, it was a hit and Let’s Plays of it sprang up on YouTube almost as soon as it was released. While Rogue Legacy has been available on Windows since June, the Mac release was only in October, hence the somewhat late review on it.

The story is simple; defeat four bosses in unique environments and gain access to the final boss, all the while collecting gold to improve your armour/magic/strength or purchase new pieces of equipment to further enhance your character. There are some features that make Rogue Legacy very different from other games; randomization is a major part of the gameplay, as mentioned earlier the castle will change every time you enter it. It’s not only the castle that changes though, every time you die (and you will die a lot) you play as the heir to the character who just perished. However you won’t carry over the abilities of the previous adventurer, these will change with each character. For example, one character may have A.D.H.D, which allows them to move faster, whereas their heir may be colour-blind, in which case the entire world will be displayed in black and white.

These abilities are really one of the key points of the game, as they can change your play-style dramatically. Classes also play an important part in the game and combined with certain abilities can make a formidable hero. A good example of this is a Barbarian with Gigantism and Hypergonadism (which knocks enemies back further when hit). Another good example is a Ninja with A.D.H.D. and P.A.D. (which prevents your character from having a foot pulse, and therefore spike traps won’t trigger). Classes have to be unlocked with gold you get from the castle, so the ninja won’t be available straight away and you’ll have to upgrade your manor in order to unlock the class.

The way equipment works is you have to find blueprints in the castle which are then available to purchase from the blacksmith when you start a new character. Equipment can have various bonuses attached to them, like vampirism or increased critical hit chance. The same applies to another set of items called runes. Runes also grant abilities, but not like increased critical hit chance, rather these abilities give you powers like HP and MP gain for every kill, or the power to double jump. Runes can be equipped in every piece of armour and multiple runes of the same effect stack, so it is entirely possible that your character will be able to jump 4 times in the air. The only way to acquire runes is by unlocked fairy chests; these are found in challenge rooms that require you to complete a certain objective like defeating all the enemies or not taking any damage in a room filled with spikes.

The last major game component is gold and how it is used; its primary use is to upgrade your manor and unlock new classes and increase stats, or buy new equipment/runes to further enhance your hero. It is always good to spend as much gold as possible, even if you don’t plan on using the thing you’ve bought right away, since the only way to enter the castle is to pay the gatekeeper all of your gold, so it just makes sense to spend as much as possible.
The games graphical style is slightly reminiscent of old 16-bit consoles, which suits the sense of humour and self-awareness that the game is going for. The soundtrack has some memorable tunes; especially the theme for Castle Hamson, since you’ll die so often it’ll be stuck in your head for the rest of the day. Once you beat the game a new game plus mode will be unlocked, this keeps all of your stat increases and unlocks intact, but makes all the enemies considerably tougher. For example, on your first playthrough enemies in the first area will range from levels 1-30; in new game plus the lowest level I encountered in the starting area was level 83.

To summarise, Rogue Legacy is a challenging game that rewards determination and graft. Sure you’ll die a lot but you’ll just come back again, stronger and better than before.

Rogue Legacy is available on Steam for Windows, Mac and Linux for £11.99/$14.99. Also available on the developer website roguelegacy.com for $14.99

Also, I’d recommend playing Don’t Shit Your Pants. It’s a game unlike anything else.

http://www.kongregate.com/games/rete/dont-shit-your-pants

Monday, 25 November 2013

The Legend of Zelda: A Link Between Worlds Review

The Legend of Zelda: A Link Between Worlds Review.

As the first new Zelda game on the 3DS platform, fans had their hopes pinned on it being the next great game in the long-running series. After playing the game through to the end, I can say that this is not only one of the best Zelda games on handheld systems, but one of the best games in the series.

Storywise, the series has almost always been about 3 characters; Link, Zelda and Ganon. This holds true here, but the way they are used in the story may not be exactly what you expect from a Zelda game. Link is a blacksmith’s apprentice who is constantly late for work, one day the captain of Hyrule Castle’s guards is at the workshop getting a shield from the blacksmith, but leaves his sword behind. It’s then up to Link to find the captain and return his sword to him, after some light exploration Link discovers that Seres, the girl who look after the nearby Sanctuary, has been turned into a painting. And it is now that we meet our villain Yuga, who comes from an alternate version of Hyrule called Lorule. Yuga has the ability to transform himself and other people into paintings, whether in frames or on walls. Yuga is only after 7 people however, who happen to be descendants of the Seven Sages, who sealed away the Triforce in the Sacred Realm and it seems that Yuga is after the relic. I’ll leave the story explanation there, as I don’t want to spoil it too much.

As far as gameplay goes, A Link Between Worlds plays virtually identically to the SNES classic A Link to the Past, which isn’t a co-incidence since this game was described as a sequel to A Link to the Past and it certainly shows. The game is an open world played from a top-down perspective. I think this is one of the few games I can recall where the phrase ‘open world’ can be justifiably used, since after you beat the first couple of dungeons you can take on the other 7 in any order you choose. Other games may be ‘open-world’ but still have some sense of linearity otherwise the story wouldn’t be able to progress as intended. Here however, the story progresses no matter what order you tackle the dungeon, which doesn’t happen very often in games and hasn’t happened in a Zelda game since the original Legend of Zelda on the NES.

The weapons are standard fare as far as Zelda goes; you have your sword, boomerang, bombs, hookshot etc. The way the items work however is a big change to the series, as they aren’t found in the games dungeons. Early on in the game you’ll meet a character called Ravio, who is a travelling merchant. After a quick conversation, he is now staying at your house and decides to set up his shop there. In his shop are all the items in the game, but they aren’t for sale, at least not in the early game. Instead of selling you the items, Ravio will rent out the items to you for a very cheap price, and the only time you have to give them back is when you die, which might not happen for the whole game. In every Zelda game to date, items like bombs and arrows have worked with an ammo system, when you run out of ammo you can’t use the item until you replenish it. Here however, all items you rent/buy use a magic meter, which regenerates over time. So technically you’ll have infinite bombs/arrows for the entirety of the game, and not having to worry about finding ammo is a plus point.

The one big gameplay change that was consistently advertised was Link’s ability to transform into a painting on a wall and move around on a 2-dimensional plain. This ability can be used in various ways, whether it’s simply progressing through the story or finding secrets, to evading enemy attacks. This seems like a gimmick that could have easily been overused and therefore become boring quickly, but this ability doesn’t feel as though it’s being pushed on the player so when it is needed, it’s fun to use and the way it is used is interesting.

In terms of presentation, A Link Between Worlds is a great looking game with a sort-of exaggerated cartoon style, and the 3D really enunciates the vibrant colours of Hyrule and the more muted colours and environments of Lorule. The use of 3D in this game is up there with the best in the entire 3DS library, one dungeon in particular stands out for me with it’s use of 3D and light pouring in through windows into darkness, it sounds like something simple but it is executed really well.

Overall, A Link Between Worlds is definitely up there with the best Zelda games ever made, and is a must purchase for anyone who owns a 3DS, whether you’re a fan of the series or not, this is a game you simply can’t miss.


The Legend of Zelda: A Link Between Worlds is available now on Nintendo eShop for £39.99 or various online retailers from £32.99-£39.99